Here are some more of the stories behind the songs on Delightfully Pleased...
When we first wrote this song at practice, I thought it was going to be the best song on the album. By the time we finished recording it, I thought it was the best song we've ever written. Not only was it super relevant and relatable, but it was also that song I'd been waiting for...an all-out rockin' song in which Steve and Paul trade vocals. Steve had written the first very catchy verse and had the framework for the chorus, which was another one of those very "natural" choruses that just kind of happened (much like the chorus for "The Hit"...it just happened...no long discussions, lyrics changes, or anything....what it was from the beginning is what it ended up being). We had been playing the music for the second verse the way it is for a while, but we didn't come up with the melody and lyrics for it until we got into the studio. Paul came up with a great melody for it and we all collaborated on some lyrics that fit perfectly in there ( I think that's how it happened). I remember sitting on the back porch of the studio with Steve and an acoustic and really working out the intro of the song, and the whole idea of "Katy White" (or Katie White, I forget how we spelled it). "Katy" would be a girl who turns 21 and gets out of control, and we would be sort of her Jiminy Cricket conscience / guy who is in love with her. You can both of those things at once when you're writing a song, I just decided that.
My favorite part of this song is the bridge. There was much discussion about whether the bridge part should "swing" or just stay straight-forward. Steve really fought for it to have the swing feel, largely inspired by Toto's song "Africa". Jamie (Woolford, our producer, duh) very much opposed this, and I actually leaned toward Jamie's side because we hired him to produce us. Looking back, I'm glad that we did go with the swing feel because I think it sounds great. Steve wrote what I think are perfect lyrics for this part, especially since he put in a reference to The Streets. We had contacted Patrick Stump about singing the bridge, and he pretty much agreed to do it. We were pretty psyched about that, and Jamie sent him the song files and we waited as long as we could to get them back but they never came. I am sure he's a very busy guy, or maybe he thought the same thing that I did...Steve had sang the part great, and taking it away from him would be silly.
The part that gave me chills in the studio was Paul's final chorus. He sang it the way he had the whole song, and I suggested (I try not to suggest things often, but when I do, I like to make them count) that he really get to the top of his vocal range on the last chorus. There was a part in our really old song called "Play" off of The Rewind EP where Paul was going to go really high but then decided against it. It always bothered me that he didn't because I loved it, so I wasn't going to keep my mouth shut this time. Of course he nailed it, and I feel like it really gave the last chrous a very "HELL YEAH" kind of feel.
We will very soon have a music video for this song that we shot at our CD Release show in Pittsburgh. I think we very easily could have made a standard music video with a plot that really goes along with the lyrics, but I thought it would be much cooler to have a video that shows how cool our hometown is and how cool the people are who come out to the shows. I think its going to be great, and I am excited to have it out there in a few weeks.
Maybe this should be the music video for the song instead, complete with non-current band lineup! I also love the part where it has a picture of Unsung Zeros with our lyrics over it.
Greatest. Party. Ever.
We wanted to write a song that really got the party goin'. We wanted the party to get going our way though, complete with vegetable trays and Scrabble boards. I wanted to mention Mario Kart but Steve shot it down. Also, the movie was originally "Waterworld" instead of "Forrest Gump", even though Forrest Gump is my favorite movie and I've never even seen Waterworld. This was during the time where I was really into the idea of having a birthday party where everyone comes over and just watches Waterworld, which looking back still seems like an awesome idea.
I really like the chorus of this song a lot, and I think it was enhanced even more by a lead that Steve added in which really makes it sound more like something that The Pixies would do instead of just a standard pop punk chorus. We had a lot of fun with putting ridiculous ideas into this song, like the very faint Kurt Cobain-ish "hey" sounds in the bridge, and the "hey girl let me get your information" part that I got to shout very loudly into the microphone. I did a lower take and then a take where I was at the very top of my range and my voice cracked a lot, but I think it added to the craziness of the part.
I think the chorus of this song really keeps it in check. This song could have been an all-out cheese-fest, but I do think the chorus is deeper than you'd normally hear in a "party" song (but not as deep as Ween's "Your Party", which I think is the greatest song about a party ever written). All in all, its a song about living your life like every day is New Year's Eve, which wouldn't be such a bad thing, unless you were really fall-down drunk every day of your life, which would be bad. Maybe the best way to put it would be "live each day to its maximum potential". There wouldn't be anything wrong with that.
Party of the year at my house, there's no place you'd rather be.